List of polytonal pieces

List of pieces using polytonality and/or bitonality.Samuel Barber Symphony No. 2 (1944) Béla Bartók Mikrokosmos Volume 5 number 125: The opening of "Boating", in which the right hand uses pitches of E♭ dorian and the left hand uses those of either G mixolydian or dorian Mikrokosmos No. 105, "Playsong" Bagatelles (1908) 1st Bagatelle, RH: C♯ minor, LH: C Phrygian. Jeff Beal Theme from House of Cards Heinrich Biber Battalia à 10 (1673) Benjamin Britten Sea Interludes (1945) Fanfare for St Edmundsbury (1959) Folk Songs of the British Isles, Vol. 1, No. 6 Vicente García San Bá Alberto Ginastera Danzas Argentinas - 1. "Danza del viejo boyero" (1937), RH: white keys, LH: black keys Philip Glass Symphony No. 2, used for ambiguity Jerry Goldsmith Planet of the Apes (1968) Patton (1970) The Omen (1976) Percy Grainger Lincolnshire Posy Gustav Holst The Planets (Neptune) Terzetto for flute, oboe and viola Arthur Honegger Symphony for Strings, III Bruce Hornsby "What The Hell Happened" Charles Ives Variations on "America" (1891-1892), polytonal interludes added 1909-1910 Adeste fidelis for organ (1897) Sixty-seventh Psalm (1898–99) Piano Sonata No. 2 (Ives) III. The Alcotts, presence of bitonality Captain Beefheart Frownland, from Trout Mask Replica (1969) Hair Pie: Bake Two, from Trout Mask Replica (1969) Petrified Forest, from Lick My Decals Off, Baby (1970) Making Love to a Vampire with a Monkey on My Knee, from Doc At The Radar Station (1980) John Kander Cabaret (1966), in the Finale Ultimo Colin McPhee Concerto for Piano, with Wind Octette Acc. (1928) Darius Milhaud Scaramouche, in the first movement "Vif" Sorocaba, from Saudades Do Brasil Le Boeuf sur le toit String Quartet No.5 (1920) Ennio Morricone The Untouchables (1987) Wolfgang Amadeus Mozart Ein musikalischer Spass

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