Tritone paradox

An auditory illusion perceived by some people to be rising in pitch and by others to be falling

The tritone paradox is an auditory illusion in which a sequentially played pair of Shepard tones separated by an interval of a tritone, or half octave, is heard as ascending by some people and as descending by others. Different populations tend to favor one of a limited set of different spots around the chromatic circle as central to the set of "higher" tones. Roger Shepard in 1963 had argued that such tone pairs would be heard ambiguously as either ascending or descending. However, psychology of music researcher Diana Deutsch in 1986 discovered that when the judgments of individual listeners were considered separately, their judgments depended on the positions of the tones along the chromatic circle. For example, one listener would hear the tone pair C–F♯ as ascending and the tone pair G–C♯ as descending. Yet another listener would hear the tone pair C–F♯ as descending and the tone pair G–C♯ as ascending. Furthermore, the way these tone pairs were perceived varied depending on the listener's language or dialect.

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